5.671 file audio bebas royalti untuk "Rock And Roll"

Chopin Nocturne in F minor

Octatonic bars from Sarabande from English Suite No 3

Habanera rhythm.

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

Phrase segments in Beethoven Opus 68 I

Cuerdas al aire de un charango Richter (temple natural: 1º mi, 2º la, 3º mi, 4º do, 5º sol).

Cette gorgée était celle de trop by Alpha Hydrae

Détruire pour mieux rien être by Monplaisir

Poumpoumpoum by Alpha Hydrae

Golem by PAS DANS LE CUL AUJOURD'HUI

Saint Julien l'Hospitalier by PAS DANS LE CUL AUJOURD'HUI

Dessert by Alpha Hydrae

Futur dans le feu by Alpha Hydrae

Confortablement installé·e by Monplaisir

Mortel futuriste by Monplaisir

CHARLOTTE by PAS DANS LE CUL AUJOURD'HUI

Burnt steak by Alpha Hydrae

EINE GAUNER - UND GANOVENWEISE by PAS DANS LE CUL AUJOURD'HUI

Bolduc by Alpha Hydrae

Le Bateleur by PAS DANS LE CUL AUJOURD'HUI

Le coeur mangé by PAS DANS LE CUL AUJOURD'HUI

Les Valises Dénudées by PAS DANS LE CUL AUJOURD'HUI

Quatre prêtres et un bûcheron by PAS DANS LE CUL AUJOURD'HUI

Rock-a-bye Baby

Baleine de brasier by Alpha Hydrae

Elle faisait de l'ombre by PAS DANS LE CUL AUJOURD'HUI

Drôle de voix dans l'évier by Alpha Hydrae

*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74

*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53

*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69

*68921st harmonic on C = B♯. Equal-tempered: 268921/65536:1 = 87.19 cents. Limit: 41-limit. MIDI pitch bend: 115,59

*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7

Holberg Suite, prelude, bars 1-2, piano version

6/8 clave, third form (rumba clave)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Wohlbekannte Melodie mit Oktavsprüngen

Debussy, from 'General Lavine - eccentric'

Holberg Suite, prelude bars 31-4 string version

Wohlbekannte Melodie

Debussy, the Snow is Dancing, Bars 34-38

Melodie.linear + Melodie.salical gleichzeitig

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

6/8 clave, second form (son clave)

langsamere Variante der authentischen Kadenz

6/8 clave, first form (standard pattern)